In July 2016, I set off to spend a year kayaking the Atlantic coastlines from Shetland to Cornwall. The idea was to travel slowly and close to the water, in touch with both the natural world and the histories of the coastal communities. I spent as much time in coastal archives as in the boat, gathering stories and learning what Britain and Ireland look like with oceanic geographies at the centre.
The result is a book published by Harper Collins (July 2019), which is currently (August 2019) BBC Countryfile Book of the Month.
This website contains resources to complement the text. The book has 40 photographs and 12 maps, but many more records of the journey were created while undertaking it. Here there are galleries of photos taken in each region of the journey (matching up the chapters, and including some of the detailed maps from the book itself), while there are also links to media coverage, such as an appearance on BBC Breakfast TV before the journey started, and articles in e.g. The Scotsman & The Big Issue.
The other tabs above will take you to resources ranging from an extensive bibliography of coastlines, to information about how to get into sea kayaking, or tips on how to start learning the languages of the Atlantic edge.
For completely up-to-date material, see the twitter feed @david_gange. I also kept a blog – at mountaincoastriver – while travelling, and links to those posts can be found in each photo gallery (none of the material in the blogs, except a few photos, is reproduced in the book).
These resources are intended to help readers of the book sustain their immersion in the Atlantic waters of Britain and Ireland, getting as immediate a sense as possible of what it’s like to do several things:
kayak through rough weather…
…spend night after night in the elements on beaches or coastal mountains…
…and wake up to find yourself embedded in the sea’s rich life…
First comments on The Frayed Atlantic Edge:
‘A tour de force.’ Moya Cannon, author of Donegal Tarantella (2019)
‘A brilliant book, and a major step towards a genuinely radical reimagining of the British Isles’. The Scotsman
‘His prose runs, breaks and shifts with the force and beauty of the seas that bear him…[A book] worth attention for its deeper argument as well as its thrilling surface.’ The Spectator
‘The book that has been wanting to be written for decades: the ragged fringe of Britain as a laboratory for the human spirit, challenging, beautiful, a place where sea and land are deeply interpenetrated: and here is the person to do it – physically resourceful, articulate, clear-eyed, informed, attentive to the realities, and crucially at home in all the elements. A book reliant in the end on one key fact: edges are revelatory.’ Adam Nicolson, author of The Seabird’s Cry winner of the Wainwright Prize 2018
‘An argument for a different kind of history…The strength of Gange’s account is his generosity. His own wry persona never overshadows the voices of past and present inhabitants…It helps that Gange’s prose is itself poetic and precise…His enthusiasm for snoozing in soggy sleeping bags is infectious. A dunking in the freezing sea, off the coast of County Mayo, leaves the author shivering but “ignited, elated”. Surfacing from his book, the reader is invigorated, too.’ The Economist
‘Some books are about the sea. David Gange’s book is in the sea. He climbs through it, navigating fascinating stories that pop up like distant islands coming suddenly into view. Whales become living history, otters ribbons of water, geology and literature and especially poetry are drawn together by the intimate witness Gange bears to the ocean’s edge. This beautifully written and grippingly researched book shows us that our shores are the beginning, not the ending, of things.’ Philip Hoare, author of Leviathan: or, the Whale, winner of the Samuel Johnson Prize, 2009
Book of the Month – ‘You can almost feel the cold slap of seawater against the face, taste the salt. Yet The Frayed Atlantic Edge isn’t just another paddler’s account of derring-do…it is the people who once inhabited these fringes, and still inhabit them, that take centre stage. From Viking earls and fisher lasses to living poets, individual and communal histories rise from the page like the Atlantic swell…He talks not of coastal wilderness, but ‘its entanglement with history’. In his own words, this journey, and the book he has written, is ‘an exercise in the art of interpreting the intertwining’. For anyone with a love of land, sea and people, it’s an exercise well worth reading.’ BBC Countryfile
‘Such an attentive, generous writer. From his close and vivid observations of the natural world, to his championing of artists, writers and activists, this…is a perspective-shifting work.’ James Macdonald Lockhart, author of Raptor: A Journey through Birds (2016)
‘Energetic, entertaining and erudite…sometimes boisterous, sometimes lyrical but always engaging.’ Donald Murray, author of The Dark Stuff: Stories from the Peatlands (2018)
‘Captivating and loving…a History of Britain and Ireland like no other.’ The Week
‘[This book’s] empathy with, and understanding of, Shetland is really striking, clearly derived from a curiosity, a listening ear and an attention to detail; but that’s equally true of all the other places he visits along the Atlantic edge…This intimacy with communities is one of the qualities that sets this book apart…No reader can fail to be struck by his breadth of view and ability to make effortlessly lucid connections between poetry, natural history, archaeology, political history and much else…The Frayed Atlantic Edge should find a place on the bookshelves not only of those whose real or spiritual home is on that edge, but of historians, geographers and – perhaps most of all – administrators and decision-makers.’ Shetland.org
‘He resorts courageously to a kayak, entrusting this cockleshell to the rigours of the Atlantic…Orcadian navigators, Irish saints and Welsh pilgrims paddle out from his pages, taking us to reaches that were roads when London was but a rumour…An intensely political book, ruing the urban, inland ascendancy that has made the far West culturally, as well a geographically, marginal in the interests of commerce and the name of modernity. But there is also uncomplicated beauty, as well as wonderful descriptions of elemental moments when survival depends on skill and the boat becomes the author’s homeland. His sea is stormy, but it is also ‘a great heart’, its islands wombs as much as tombs. Strewing poems and ideas in his wake, the author finds keening sadness and causes for righteous anger as he struggles to keep afloat, but also optimism for new ways of inhabiting and shaping the future of our battered western fringes.’ Country Life Magazine
‘If you only read one book exploring the wilds of the British Isles this year, then this is it!’ Pilgrim Magazine